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Shyamal Uncle turns off the lights

In the first of a new series on standout Bengali films post 2000, Shantanu Ray Chaudhuri looks at Suman Ghosh’s 2013 fil...

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Adil Hussain: The Uncrowned Czar of independent cinema

Sharad Raj walks you through his experience of working with the actor par excellence Adil Hussain.

A Quart of Ray

Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects tha...

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Such a long journey: Neena Gupta

Balaji Vittal introduces you to Sach Kahun Toh, theatre, film and television actor, and writer...

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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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Satyajit Ray: 10 Great Sequences

The films of Satyajit Ray have provided us with iconic moments that celebrate the many hues of life, all shot w...

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A genius having mastered many arts: Satyajit Ray

Humra Quraishi revisits the auteur Satyajit Ray’s life on the eve of his hundredth birth anniversary

Avijatrik: The Wanderlust of Apu

It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...

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The first woman detective franchise in Bengal

Running on the streaming platform Hoichoi, the first woman detective franchise in Bengali, Damayanti could have done with much less talk and mo...

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Tara ra pomp pomp

Khalid Mohamed attends The Big Day weddings, listens in to Martin Scorsese’s docu-interview with Fran Lebovitz and&helli...

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